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Part 2: I MAY OWE YOU AN APOLOGY (concerning SaVoa)

April 20, 2012 by Rowell

When one person resigns from an Executive Board, it’s not news.  When everyone BUT one person resigns…maybe so.

(For those who came in late:  see Part 1 below)

My departure as so-called President of the voiceover group known as SaVoa was my own decision, and I resigned feeling it was I who had failed the group.   Now I’m not so sure.

Like I said, it seemed the only real benefit I brought the non-profit group known as SaVoa was my reputation.

I said as much to the group’s creator, who was asking me to take over the title of President from him. He did me the honor of saying he thought that people who knew me, or knew of me, would see my acceptance of top office in SaVoa as a sign of positive change.

And indeed, some positive changes were slowly developing: reasons to offer when potential members asked the very real question: “Why should I join? How would it help me?”

A couple of our members took it upon themselves to “spread the Good Word” at voiceover conventions and gatherings. A few even spent their own money on promotional items for distribution (they were later paid back, but it seemed to take forever). One social-network-savvy member put in the work to create a companion website to the savoa-dot-org main site, establish a member forum, generate discussions and generally create awareness (again, he was later reimbursed for his expense, but he did it on his own).

Earlier this year, it seemed as if SaVoa was really poised to start delivering on some of its potential. Efforts were being made to create materials for a concerted promotional push outside the membership: advertising and promoting to people in the production community that a SaVoa membership shield on a freelance voice talent’s business card or home page was an indication the producer’s job would suddenly become a whole lot easier, by hiring an accredited talent. This was, finally, something we could respond with when someone asked what benefit membership would have.

The group’s own founder made good-faith efforts to find an insurance company to offer discounts to members. State laws made medical insurance impossible, but there were other forms of coverage in the works, only to stall from the insurer’s lack of interest. Our founder also had the great idea of expanding SaVoa to cover voice talent in other languages, recruiting people who would be qualified to evaluate talent in their own countries. SaVoa’s creator also, to his credit, advanced the idea of inviting more female talent onto the advisory and executive boards. It was an honest attempt to counter the somewhat accurate but unintentional perception that it was nothing more than a “Good Ol’ Boys Club”.

Another member, an attorney who just happens to also be a great talent (you may have seen him in a Super Bowl ad), offered to help out with legal questions and go over the group’s non-profit charter and by-laws.

Our board chairman, who was also our Vice President (and whose organizational skills still put me in awe) kept everyone notified of monthly conference calls, established the agendas, and made sure everyone had a voice in the proceedings.

President Me? I pretty much did what I’d been doing…offering an opinion or asking a question when I felt I had something worthy of input. Leadership? What Leadership?

…which put me in another awkward position when our chairman let us know he had to bow out for awhile due to some planned surgery which would affect his ability to talk. Nothing serious, but he’d be out of commission for awhile. I was asked, as president, to take over scheduling the conference calls and running the meetings till he got back. Just a month. Maybe two. And I’d have plenty of help. That was…how many months ago? I forget.

I’ve called myself the “intern president”. When asked if I meant “interim president”, I’ve used it as a self-effacing joke. A “joke” is pretty much what I felt I was in office anyway, though I continued to help out with reviewing voice demos of applicants, which I felt somewhat qualified to do.

Before and after our chairman’s sabbatical, it was often difficult to get our founder to be present in the conference calls. This wasn’t so much a problem of having a quorum, but the fact that he was also the Secretary/Treasurer, and the only one (it seemed) who had the passwords to the main website and paypal accounts. And to be fair, he…just like the rest of us…had a Real Life to attend to in addition to SaVoa. Perfectly understandable.

He was also good-naturedly chided month after month for not keeping our paperwork up to date with the IRS to comply with our non-profit tax status. We didn’t owe anything, but you know those folks really do love their paperwork. In all the meetings I was a part of, before and after “presidency”, it was kind of a running joke: “…haven’t gotten everything filed yet.” “I’ll get to it. By next meeting for sure.” I say it was treated with humor because no one on the board felt the treasury funds were being mishandled. But there was concern we could see our non-profit status jeopardized if the right forms weren’t kept up to date.

Adding to our founder’s workload were his duties heading the tech review committee (which evaluated the sound of a member’s home studio with a professional audio engineer’s ear and standards). Our VP/chairman had been on the committee, but was now out of commission. The other main committee member had resigned some months prior, not being able to devote proper time to the responsibility. One of our other members helped with reviews, but evidently did not always agree with the creator on quality standards. That made for friction.  Since I’ve never claimed to be an engineer (though I’ve been called a production genius), I stayed out of those conflicts, deferring to those more experienced.  And honestly, I’d rather get between two fighting cats than two quarreling engineers.

There it is again: deferring to the more experienced.

So what’s so bad about that?  Maybe nothing….except that “nothing” was mostly what was getting done.

Committees, by their very nature, are inefficient in my opinion. But the alternative is to leave all the decisions and work to a very few individuals.  Either way, progress on these and other issues was agonizingly slow. It seemed whenever we’d be on the verge of getting something started, the decision would be tabled for later discussion, or referred to another committee…which never got formed.

Our resident member-attorney worked over the group’s by-laws to customize them for our organization, and look for things we might need to add along the way. Systems of accountability through the advisory and executive boards were being hashed out. A wider distribution of control and authority was proposed on several levels. Some of these proposals were formally and politely resisted. And in more than one instance the objection came from the same person…who insisted he could manage things just fine the way they were.

(This would be a great place to introduce a Conspiracy Theory. In my view, there wasn’t one. That may not stop you from hearing other claims.)

But objections were raised at how members were recruited into the boards, and by whom (although the required votes were always dutifully taken). Objections were raised by some qualified folk who felt their engineering and technical skills were being ignored and possibly subverted by the status quo.

As the by-laws were put under legal scrutiny, a flap developed over concern that some applicants were being pushed through channels into membership without the proper vetting, showing favoritism. And those accusations were leveled toward the officer with the most power to do so. It wasn’t the “intern president”.

— to be continued —

Filed Under: General, Getting Started, Stories From The Biz Tagged With: reputation, SaVoa, value of a name

I MAY OWE YOU A BIG APOLOGY (if you joined SaVoa because of my name)

April 20, 2012 by Rowell

 

So long, SaVoa.  I’m sorry.  Really truly sorry.

…and I’m angry.  Really truly angry.

As a voice talent, being used sort of comes with the territory, right?  I mean, you put yourself out there as spokesperson for whatever the script may call for (within reason).  It’s understood up front.  No harm, no foul.

But what happens when something you’ve put your voice to turns out not to be quite as advertised? And what if people are hurt after buying into it because you were such an effective “shill”?

Some years ago, a fellow got the really truly good idea for a group which would be called SaVoa:  Society of Accredited Voiceover Artists.  He, and some founding members, braved ridicule and derision for thinking there ought to be a non-profit group…or guild…or association…of professional, veteran voice talent who could establish a certain recognized level of talent and technical ability.  This was not to be/or/compete with a union.  As I later thought I understood the concept, it would be a sort of Underwriters Laboratory for voice talent:  wherein a producer considering a voice might see the SaVoa shield and be assured a quality job from an experienced talent.  …a Good Housekeeping Seal, of sorts.  Not a guarantee of work for the member, but one more reason for a potential client to say, “yes”.  This made sense to me because I regularly have clients of my own call and ask, “Who do you know that does…”.  And I have regularly benefitted from being recommended by another talent, and having my abilities vouched for by a trusted pro.

SaVoa’s creator, who by his own admission can come across as confrontational, took a lot of guff from the skeptics as he slowly sought the support of like-minded individuals.  Some reactions to his idea were downright hostile (“who do you think YOU are to judge ME???”)  Others were not so much offended as bewildered (“okay, I’m not sure how this would really benefit me”).  Originally, I counted myself among the latter, but saw no harm in the concept.

I’m still surprised when someone tells me they know my name, or my work, or my reputation.  I’m even more surprised when they express admiration for my talents and character.  I expressed that surprise a few years ago when I was approached to help with SaVoa’s advisory board by its then-President, the group’s creator.  While expressing thanks for the kind words, I reminded the gent that I wasn’t even a member…had never applied, submitted voice and tech samples or membership fee, nor did I really have it on my priority list, though I wished the organization no ill will.  I was told that wouldn’t be a problem.  The proper committe members would “vet” me, and my help in evaluating talent and perfomances could prove really useful.  I agreed, not feeling I had that much to offer, but willing to see if I could indeed help.

I sat through monthly conference calls, offered an opinion here and there, listened and offered opinions on some of the voice demos from potential members.  And that was about it.  I felt the others knew far more about how SaVoa was supposed to work, and so did not do much else in the way of “advising”.  Imagine my further surprise when not much later I was asked to accept a position on the Executive Board.  Again, I demurred, citing my lack of experience within the group and my status as a non-paying member.  Again, I was assured it would be beneficial to SaVoa to have someone of my reputation and experience on board (sorry…you know it’s bad when the puns come out unintended).  I accepted.

Surprise turned to outright disbelief when, not too much later, I was again approached by the group’s creator to see if I would consider accepting the presidency of SaVoa.  As it was explained to me, the original non-profit charter required a certain number of officers to be residents of North Carolina where the application was filed and approved.  There was to be a shuffling of duties and, as it was put to me by the group’s creator, he was aware that a lot of potential members might be put off by his somewhat abrasive public shows of personality…whereas I had a great reputation in both the talent and character departments, and could help SaVoa improve its image, while he stayed more in the background as Secretary/Treasurer.  Again I protested my inexperience, and my total lack of interest in parliamentary procedure, debate, and organizational structure.  Again I was assured there would be plenty of experienced hands to support me.

I knew I wasn’t the first person to be approached for this position.  So I checked with a couple of the others who were friends of mine.  Both explained their reasons for declining, and left the decision to me.

I wish I had listened to them.

— to be continued —

Filed Under: General, Getting Started, Stories From The Biz, Voice Jobs Tagged With: implosion, reputation, SaVoa, voiceover associations

I Hate To Break It To You, But…

April 18, 2012 by Rowell

...shirt available from zazzle.com. ...and no, I'm not being Opposite.

We are a mass of contradictions. 

     Most of us become so accustomed to it over time, that it passes for normal.

     But every so often an over-used phrase gets stuck in my head and hurts like the time Paul Anka’s “You’re Havin’ My Baby” came to live in my skull for a solid month.

     Of late, I’ve noticed “Opposite” Phrases…normally used as an insincere ploy to show deference while proceeding with offense.  Other times, it’s just annoyingly superfluous.

     The one that set me off recently was “…With all due respect” — usually uttered by someone who is about to say something completely disrespectful.  Also in that category is the ever-popular “I don’t wish to seem rude…” (you know you do!)

     Another one is “…Some say…” and its ugly cousins “Studies show…”, “I’ve heard…”,  “We all know…”, “You know as well as I do…”, and “I know for a fact…” — which you can usually translate into “I’m just making this up because it supports my argument.”

     Speaking of arguments:  at some point, you’ll usually hear “That’s not the point, the point is…”  — which means “That really was the point…you won it…and I want to change the focus quickly before I lose control of the argument.”  …or the last refuge:  “Well I guess we just have to agree to disagree…”  — usually followed by a muttered “even though I’m clearly right.”

     One I’ve always found particularly laughable and galling at the same time shows up in almost any sound bite from Congress.  It comes in several flavors.  “My Esteemed Colleague…”, “My Friend Across The Isle…”, “The Right Honorable…” — usually inserted in place of the speaker’s true opinion, which is anything BUT!

     Socially, there’s “I hate to be the one to tell you…” — usually said by someone who’s absolutely DELIGHTED to be the one to tell you.  “You don’t want to know…” — is used to remind you just how much you really DO want to know.  And there’s the classic “Oh, I’d be the last person in the world to…”  — say what I’m about to say anyway.   That one also shows up as “Far be it from me to…”

     And have you ever noticed in cop shows or war movies whenever someone says, “Permission to speak freely?” — they’re going to unload with a speech anyway.  (There was one show I wish I could remember where the authority figure just replied “No”.  I laughed out loud.)

     As a voiceover talent, voice artist, voice actor…whatever you want to call it…I know it’s to my advantage to actively listen to what people say and how they talk.  It helps me create a good performance when I’m behind the mic, whether I’m playing an actual character or not.  But I swear…(and I don’t, usually)…sometimes I wonder if it isn’t more of a liability, when it causes me to notice duplicitous phrases like these.

     Needless to say (though I’m saying it anyway), you can probably think of a lot more.

— over and out –

Filed Under: General, Stories From The Biz, Voice Jobs, Writing Jobs Tagged With: Double-Talk, Listening as an Actor, Opposites, Phony Talk

Hey, Mr. Answer Man!

March 12, 2012 by Rowell

     …got call from a second person in as many days, asking if I teach voiceover for locals. I keep deflecting calls and emails like these, offering a boilerplate document instead which outlines my observations on what it takes to get started.

But more and more, I’m wondering if I’m doing the person calling a disservice or a favor.

I do spend time with anyone who calls before offering to send the “Basics” sheet.  I’m mindful that the only way I’ve ever advanced my own career has been through others who’ve taken time with me when I came with questions.  The ones I’ve paid charged a fair price.  Most never asked for anything at all.  However, as I listen to myself responding, I often have to backtrack and rephrase so I don’t sound like I’m just saying, “Forget it, kid.  It’s too hard, and there’s too much competition.”

It’s a quandry with very few obvious and concrete answers.  Do I freely give as much time as everyone needs?  Do I look at my own precarious finances and decide it’s time to profit from what I know?  Do I really have any business advising others, given the scattered and uneven financial success I’ve had?  Do I owe it to others to pass on my experience, hoping it will benefit someone just starting out?

My friend Doug Turkel (the UNnouncer) frequently adds to his witty tirades against an un-named “Guru” who packages common sense or easily-found-for-free info at a hefty price as “Secrets to Voiceover Success”.  I know I don’t want to be perceived as one of those people.  But I also don’t want to be seen as a jealous gatekeeper, anxious to squash anyone’s dreams or stifle the budding career of someone who might turn out to be the next Harlan Hogan, Randy Thomas, or Tom Kenny.

Finding a point of empathy is a talent I’m told I possess.  It’s not only helped me in voiceovers, it’s helped me successfully direct other talent to measurably improved performances.  I’m even being hired to direct other talent now…by other directors!   So am I foolishly ignoring a viable revenue stream?  Or am I being noble and assuming I don’t know enough that’s valuable enough to charge for?

     I sometimes wonder if being an expert in the field simply means little more than being the one who’s still stubbornly plugging away at something when all the sensible people have bailed!

— over and out —

Filed Under: General, Getting Started, Stories From The Biz, Voice Jobs Tagged With: Doug Turkel, gurus, Super Genius, voiceover coaching

Famous…for What?

February 5, 2012 by Rowell

Sometimes I enjoy and admire Ricky Gervais.  Sometmes I wonder how he got into the room…and how soon he’ll find the way back out.

But what he wrote in the Huffington Post has put him back on the “plus” column for me just now.  It’s about the weird modern goal of being “Famous”.  …nothing else…just “Famous”, not famous for anything, except being “Famous”.  That’s the subject of his next video series.  I may actually have to watch this one, having been left un-involved by The Office and having only seen snippets of Extras (the Doctor Who parody was priceless, though).

His best quote from the whole article, for me, is this:

“Born clever? So what? What are you going to do with it? Your best, I hope, and no less.”

Here’s the link to the full piece.  http://www.huffingtonpost.com/ricky-gervais/on-fame_b_1253273.html

It’s worth your time…even if you can’t stand Ricky Gervais.

— over and out —

Filed Under: General, Getting Started, Live Performance, On Camera Jobs, Stories From The Biz, Voice Jobs Tagged With: famous, hard work, Ricky Gervais

T’is the Season…

February 2, 2012 by Rowell

Yes, it’s been the season when those emails and phone calls you thought were going to mean new business…simply meant it was a client from last year needing your tax ID number.

…but there are bright sides to consider.

A few of those requests actually remind me of some pretty great jobs…and some pretty great paychecks from some pretty great client friends.

And so it was I somehow had the presence of mind to attach the following note to one such friend who required a W-9 from me:

“Thanks for making this necessary!”

— over and out —

Filed Under: General, Production Jobs, Stories From The Biz, Voice Jobs, Writing Jobs Tagged With: Good Clients, Gratitude, Taxes

“It’s A Gift…”

December 19, 2011 by Rowell

I don’t think I’ve ever done a “re-run” on the Clogged Blog.  But this one came to mind during a serious moment in Jesse Gephart’s otherwise hilarious stage production of David Sedaris’ “Santaland Diaries”.  This talented performer, in a one-man show, seamlessly shifted from satirical monologue to genuine concern when he noticed an audience member having some very real health issues.  Shifting his focus to solving an unforseen problem, he turned a show-stopping incident into something that seemed completely natural and in character.   That, plus the part of the script detailing all the awkward things Santa gets asked for…brought back an experience I may not have told you about, if you’ve just recently “tuned in”.  This is from 2008.

———————————————–

I can’t reveal names, lest I jeopardize any cherished Christmas traditions, but this really happened. I know because I was there in the studio.

A local radio station decided to whisk Santa Claus into town to take phone calls from area kids. It’s a situation just waiting for a misstep.  And sure enough, just fifteen minutes into the hour, it happened.

Santa was cheerily chatting up a sister and little brother, with plans of innocent avarice dancing in their heads. At one point, Santa asked the boy if there was anything else he’d like. There was the briefest hesitation, and then the little guy continued…words carefully chosen, and voice starting to quaver a little.

“What I’d really like…would be…to be able to…talk to my Papa again.”

It was more a simple statement than a request. But I couldn’t imagine how the old guy was going to get through this one. Before I’d even finished the thought I heard Santa, in a very soft and sympathetic voice: “Ohhhh, I know what it’s like to miss a papa, especially around the holidays. It’s extra difficult, isn’t it.”

“Yeah,” the little voice replied.

“Well,” continued the old gent at the microphone, “I’m not sure exactly how much I can fix, but…I’ve got an idea. You put your mom back on the phone, and meanwhile we’ll work on getting that game system you and I talked about to maybe lift your spirits a little, okay?”

“Okay.”

And darned if it didn’t sound like that was just enough for the young fellow. He handed the phone back to his mother and I heard Santa, in that same caring voice, ask if she had any old recordings of the dad she could lift a little something from, and wrap up a small tape or disc for the boy…with a note that it was the best Santa could do. Those of us in the studio half expected the lady to brush it off, but she immediately brightened to the idea, saying she’d never thought of that, and knew of something that might just fit the bill.

Sincere wishes for a season of comfort were exchanged and the call was ended. The editor went to work and condensed what actually went on the air, though I was surprised he left in the conversation about “papa”.  A brief adlib was attached alluding to the “talk to mom/got an idea/lift the spirits” ending and the call went out over the air.

I don’t remember much about the rest of that hour. But later I had to wonder how differently it could have gone, if the station had just yanked in some guy with a funny voice who could go “Ho Ho Ho!” on cue and talk about toys.

I post this “long winter’s tale” not so much as a credit to quick thinking, but as an encouragement for all of us who are tasked with using our talents to really connect with the person(s) we’re being paid to talk to.

Yeah, it helps if you can nail the sound and read the words without stumbling. But when the person at the microphone can let some part of what’s truly inside come out in what’s being voiced, whatever’s on the page…there’s potential to transform the everday into something a little more.

But who am I to say: maybe he WAS the genuine article!

Merry Christmas/Happy Holidays and a Season of Comfort to us all.

— over and out —

Filed Under: General, Live Performance, Stories From The Biz, Voice Jobs Tagged With: Christmas Lists, Jesse Gephart, kids, radio, Santa, Santaland Diaries

Sometimes You Just Say Something Wise…

November 16, 2011 by Rowell

…even if it’s an accident.  But take credit for it anyway!

     In a recent flurry of comments on Paul Strikwerda’s facebook post about low-balling your voice0ver rates, I wrote the following “instant wise saying”:

 ‎…just because you’re doing something you love doesn’t mean you have to do it just for the love of it.

Another friend, Andrew Swingler, immediately chimed in, asking if he could use it.

Of course, I said “yes”.  I’d be tempted to register it as a trademark, except for the nagging fear I’ve lifted it from someone else without remembering it!

But meanwhile, if it makes me sound wise and venerable…I’ll go with it!

— over and out —

Filed Under: General, Getting Started, Production Jobs, Stories From The Biz, Voice Jobs Tagged With: low-ball rates, Paul Strikwerda, wise sayings

Do You Know Where You Came From? No, I Don’t Mean That Way…

November 5, 2011 by Rowell

I consider myself pretty knowledgable in things involving voice recording over the years…especially in Radio, film and animation.

But voice talent Scott Reynes just boosted my knowledge by leaps and bounds with a chart he created, which chronicles the history of the voiceover.

You’ll find it at http://scottreyns.com/history-of-voice-over.php   Once you get there, click on the thumbnail that looks like the picture here, and you’ll get the full-size graphic.

Thanks, too, to the BillyBlog over at http://www.billyvoice.com/blog/.  If I hadn’t seen it mentioned there, I might have missed it.

— over and out —

Filed Under: General, Stories From The Biz, Voice Jobs Tagged With: Animation, radio, talking toys, tv, voice recording, voiceovers

…That Little Chicken Ranch I’ve Been Dreaming Of.

November 3, 2011 by Rowell

I finally got a look at my Ranch.

Last summer I did the voice of a crusty old farmer who raises the different “flavors” of chicken for Taco John’s.  Since the restaraunt chain has no locations my home territory (yet), I’ve been scouring the internet for a look at the final animated TV spots.

Here’s the first one.  Let me know if you spot any of the others.

TacoJohnsTV

— over and out —

Filed Under: Animation Projects, General, Stories From The Biz, Voice Jobs Tagged With: Animation, Taco John's, TV spot

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